Carlos Maria Bacigalupo
Living in the arse of the world, there are four bands that I deeply regret not seeing live while they were still around: The Smiths, Hefner, The Lucksmiths and Allo Darlin'.
Hopefully, with their recent reunion, I can catch Elizabeth & co one day 🤞🏻
Favorite track: Hymn on the 45.
Leave it to Allo Darlin’ to make calling it quits sound romantic and triumphant. The UK band, which a few months ago announced plans to split, will play a handful of farewell shows in London this weekend. Last week they released their final single, and the A-side, “Hymn on the 45,” ought to leave concertgoers misty-eyed yet grinning. Lyrically, the song is almost an admission of defeat, as lead singer Elizabeth Morris remarks with her usual disarming clarity on how people who criticized her for being too sensitive or who wouldn’t hire for a job must’ve been right all along. Her victory, though, is that she’s “Got you/And that hymn on the 45.”
The jangling, autumnal music is some of this band’s lushest: a meticulous build-up through conversational guitar licks and rumbling percussion to a grand finale of sax, flute, and violin. When Morris, who is originally from Australia but now based in Italy, sings, “This is where we live/In the in-between,” the words accrue multiple levels of meaning; the tunefully heart-tugging, gently word-wise Allo Darlin’ were misfits in the contemporary record industry as well, an act for transitions and liminal spaces. At the end of a year that has put the breakup of a favorite band into especially harsh perspective, “Hymn on the 45” shows that being able to play a song you love is still worth something. As the singalong chorus proclaims, “Turn it up, baby.”
Pitchfork
credits
released November 29, 2016
Written and played by Elizabeth Morris, Paul Rains, Bill Botting, Michael Collins.
Additional players Ewan Bleach (saxophone), Emma Cooper (flute, saxophone) and Dan Mayfield (violin).
Recorded by Michael Collins and Al Harle at Big Jelly Studios, Ramsgate. Additional recording by Giles Barrett at Soup Studios, London.
Mixed by Michael Collins.
Mastered by David Williams.
supported by 201 fans who also own “Hymn on the 45”
The name of this album perfectly encapsulates everything I love about Elizabeth's musical output from the Darlings to Allo Darlin' to these precious songs: an unyielding optimism that is never naive, and by being so, becomes wildly contagious. Some music tells you that "everything will be ok", but her music actually makes you believe it, even when the lyrics hint at doubt. Michael Feck
supported by 164 fans who also own “Hymn on the 45”
Like something out of a motion picture score, Athens is underground subways, planes hiding in clouds and cross country drives. Enhance your journey and listen to Athens hikaruonline
supported by 112 fans who also own “Hymn on the 45”
Another great album - dean wareham, joanna gruesome, lonely tourist, dorotea, the chills, manhattan love suicides & spearmint are all highlights but the whole lot is pretty darn great really martin kiosk
The Seoul-based indie pop duo lean deeper into the interplay between dance and emotion on their second album for Beeline Records. Bandcamp Album of the Day Aug 31, 2023